Far From Heaven with Julianne Moore: DVD Cover
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Far From Heaven Director: Todd Haynes Cast: Julianne Moore, Dennis Quaid, Dennis Haysbert, Patricia Clarkson

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  • DVD Release Date: 04/01/2003
  • Original Release: 2002
  • Rating: Rated PG13
  • Sales Rank: 2,972

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Scenes

Features

Director's commentary with Todd Haynes; the making of Far From Heaven; filmmakers experience Q&A session; anatomy of a scene.

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Scene Index

Side #1 --
1. Main Titles [2:39]
2. Mrs. Whitaker [2:25]
3. A Silly Mistake [3:38]
4. Mrs. Magnatech [5:00]
5. A Secret Life [6:15]
6. Raymond [3:37]
7. Frank's Problem [14:00]
8. The Art Show [5:19]
9. Another Glorious Party [2:59]
10. All Man [4:45]
11. A Day With Raymond [6:52]
12. The Only One [3:54]
13. Vicious Talk [5:59]
14. It Isn't Plausible [2:08]
15. Happy New Year [4:29]
16. Daddy's Girl [4:23]
17. The Breakup [2:54]
18. "Call Me Cathy" [6:59]
19. The Last Farewell [10:40]
20. End Titles [3:54]

Scene Index

Editorial Reviews

The most ambitious project yet from indie director Todd Haynes (Safe, Velvet Goldmine), Far from Heaven is a meticulous homage to the ‘50s melodramas of Douglas Sirk -- right down to the swelling Elmer Bernstein score and the obsessive attention to costume and décor. Borrowing elements both from Sirk’s All That Heaven Allows and Imitation of Life, it tells the story of an upper-middle-class Connecticut housewife (Julianne Moore) whose picture-perfect world collapses when she discovers that her husband (Dennis Quaid) is gay. Simultaneously, she finds herself ostracized by her conservative suburban community for befriending a black gardener (Dennis Haysbert). Moore is terrific as she movingly portrays a woman desperately trying to live up to the ‘50s ideal of devoted wife, yet failing due to circumstances out of her control. Encased in padded, corseted period garb and surrounded by the sterile elegance of her midcentury-modern dream house, she seems embalmed in her own life. Cineastes will swoon over Haynes’s absolutely flawless re-creation of the Sirkian world -- it’s so flawless, in fact, that the film occasionally feels a bit airless and academic (unlike Rainer Werner Fassbinder’s own brilliant, scathing Sirk homage, Ali: Fear Eats the Soul). But Moore’s performance, and to a lesser extent Quaid’s, keep the film alive. Far from Heaven offers the same pleasures that the original melodramas do, by inviting the audience to indulge in big, sweeping emotions in the context of a gorgeously executed movie. By approaching the so-called "Woman’s Weepy" with respect and complete lack of irony, Haynes succeeds in resuscitating a maligned but worthy genre. Kryssa Schemmerling, Barnes & Noble

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Customer Reviews

Far From Heavenby Anonymous

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February 28, 2008: The movie was elegantly and movingly crafted to evoke the bittersweet memory of a bygone era and its hidden social turmoil. Even through the remnants of those long ago years have passed, still the lesson remain the same. True love is a gift from the creator. To demean it, cage it, debase it, or denied it in anyway makes of us bereft of our humanity.

Far From Heavenby Anonymous

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July 23, 2004: Okay! I know I'm going to catch flack for this one, but the 'genius' of 50's melodrama director, Douglas Sirk, has always escaped me. There, I said it. 'Far From Heaven' is director, Todd Haynes attempt at emulating 'Sirk'. In that respect, the film succeeds. It is riddled with lush photography and set in the 1950's - which helps. But as a film of today, it miserably flops. Like Sirk's 'Written on the Wind', 'Far From Heaven' concerns a dutiful wife, Kathy (on this occasion played by Julianne Moore) who discovers that her husband, Frank (Dennis Quaid) is not all that he appears to be. And like Sirk's 'Imitation of Life' there is a hint of tempered racial tension and interracial romance (between Raymond [Dennis Haysbert] and Kathy) that sneaks into the proceedings. But if anything, 'Far from Heaven' proves that you can't go back to the well twice - as it were - and relive the past without being compared and judged inferior to it. Julianne Moore and Dennis Quaid aren't very engaging as a couple and the racial undertones are played from a safe distance. Director, Todd Haynes' photography is too lush, at times appearing as garishly cartoonish - something that Sirk was never guilty of - and the plot, such as it is, seems better suited for a segment on 'General Hospital' than mainstream Hollywood film-making. Ironically, it was Sirk's influence through films like 'Written on the Wind' that paved the way for television to take its cue and cultivate the soap opera on the small screen. In retrospect, that premise works. The other way around ? it?s an embarrassment. Besides, 'Far from Heaven' plays it safe at every turn, eschewing biases and bigotry and ending on a very postmodern unhappy note that Sirk would never have approved of. The transfer perfectly captures Haynes' intent. Colors are rich, vibrant and nicely balanced. Black and contrast levels are accurately rendered. There is a considerable amount of edge enhancement and some shimmering of fine details. No pixelization though. The soundtrack is 5.1 and adequately rendered. The extras include a very self-congratulatory featurette in which Hayne's explains how he did Douglas Sirk one better. Like Attenborough's remake of 'Miracle on 34th Street' or Van Sant's shot for shot remake of 'Psycho' - it simply can't be done! I wish Hollywood would realize this.


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